You, The Writer. They, The Characters. And The Blurring Lines

Blog posts, articles and entire books have been written about how a writer should approach the creation and maintenance of characters. Then there is the other industry where folk examine famous works of literature and the characters therein from all sorts of angles; along with the motivation(s) of the author.

So then.

When you have passed the toe-twiddling stage at the water’s edge of the sea that is your project and are now wading out, determined to swim to the other side…

Opinions please:

At some stage is there part of you in one or maybe a few of the characters, reflecting various personal moods, views and the rest of the complexity of the average person?

Or.

Is there a little secret part in which you indulge in living through the character’s life. A place you can go to to shake off the usual frustrations of the daily life? Be someone else

Or.

Are you The Supreme Being of the world, moving everyone around as you see fit on a Four-Dimensional chessboard?

Or.

Having introduced these folk  to a narration are you now running after them waving a document and crying after them ‘Plot! Don’t forget my plot!!’, only to have at least one of them turn around and smiling benignly say ‘But dear writer. Have you not read the sub-text? Do keep up,’  

Or.

Is it a case of a combination of all or some of the above?

8 thoughts on “You, The Writer. They, The Characters. And The Blurring Lines

  1. I certainly don’t feel like the Supreme Being. It’s more like your third scenario most of the time, with me hoping the characters don’t introduce somethin unforeseen and then leave me to figure out how to deal with it. I do remember a time when living out a character’s life was a thrill, but that doesn’t seem to happen any more.

    Liked by 1 person

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