Show Don’t Tell

Writers starting off, floundering a bit, wondering which way to go or reflecting on whether they should or should not continue will be aware there is something approaching an article of faith which is: A Writer Should Show Not Tell’

Just out of whimsey, as it were, I typed in ‘Show not Tell’ on Google and the busy little search engine proudly informed me that in 0.84 seconds it had identified 2,210,000,000 hits. Now how many of these actually refer directly to the subject of writing I did not venture to examine. If for some unaccountable reason I were to seek out each and every hit at the fanatical pace of 5 seconds per hit it would take approximately 350 years for a single person. Since this does not take into account all functions necessary to physical and mental well-being, what might happen to human culture and environment the effort seems somewhat unnecessary. A dedicated team of 1,000 might complete the task in ten years, although the attrition rate would probably be prohibitive and result in the organiser being actively disliked. Suffice it to conclude a lot of people have a lot to say on the subject.

It is only fair at this juncture to admit, yet again, there is within me a not so latent flaw which persistently inhibits any possible success; this being as my wife wearily reminds me ‘You will not be told’ . Thus if anyone even intimates to me how my writing should be done, at best they receive a politely vague comment and communication withers. Therefore there is a certain bias in this post; my apologies.

Considering the number of hits again. It cannot be denied that amongst all the comments and advice on the subject there has to be a certain diversion of view as to what constitutes ‘Show’ and what might be thought of as ‘Tell’. From this, taking into account all other Human responses to ‘Subjects’, ‘Beliefs’, ‘Outlooks’ and so forth, some of these diversions would be quite strong, if not, one fears verbally ‘violent’. Now whereas the proponents can have a thoroughly cathartic time arguing with each other and suggesting their opponent is displaying ignorance or heresy on the matter, none of this is of assistance the poor help-seeking writer, who at times, battered and buffeted by storms of advice must feel something akin to a literary sea-sickness.

One equitable solution for a writer experiencing problems in this area, would be to turn their back on the various advice books, columns, posts and writing exercises to simply read (or listen if they have a taste for audio books) thus be witness to a number of published writers at work. The choice should be very broad and should steer from the very successful who are sometimes indulged by the publishing process because their name ‘sells’. Far better to seek out those of more modest achievements who still need to rely on every bit of their art and skill to keep their audiences.

This is not a suggestion the writer should try and copy styles, more a question of absorbing the various approaches and bringing them to their own style. Because, I daresay when the various Show Don’t Tell  advisors visit books there will be levels of disagreement as to where Show or Tell started or finished at one particular part and whether either should or should not have been used.

Writing is a constant learning process, with a vast panorama of ways and means by which the writer reaches the conclusion of their work. Far better to absorb an empathy with Show Don’t Tell than to struggle to attain it by some dangerously close to mechanical process.

Keep on writing. No matter what.

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