An Upside To Grim Songs – House At Pooneil Corner

Jefferson_Airplane

Forewarning: This is one of those long post that might appear to be meandering. Some posts need the elements of stories to get to the point. This is one.

Yes, there they are, Jefferson Airplane, one of the bands which are automatically associated with the many often inaccurately named time from 1965 to its stuttering end 1969 – 1970.

Like many bands of that era, the more you read about them, even filtering out the hyperbole, the less you feel affection for them as individuals or a group of folk, even if the music does stick.  My own opinion was they were played out by 1969 and the music was dying…Marty Balin originator of the band was to leave, disillusioned with those politics of the band…

So having set the mood, let’s take a look at one particular but not universally known song produced when they were still fresh.

After the great success of Surrealistic Pillow, second album and first to feature their ionic line up, there would eventually arrive, arguably, their most accomplished and fourth album: Crown of Creation. Although with still some folky-rock roots, this was a more of a venture into pure rock  Amongst noteworthy several songs was the unforgivingly grim and oddly titled House at Pooneil Corners. Paul Kanter vocals, guitar and lyrics was particularly influenced by books in his song writing. Winnie The Pooh by A.A Milne had captured the imaginations of several bands’ song writers, its innocence and quiet philosophies I suppose. On the previous drug-drenched album After Bathing At Baxters   an upbeat cheery(ish) song had been ‘The Ballad of You, Me and Pooneil . ‘Pooneil’ was, so the story goes, a made up word mixing ‘Pooh’ as in ‘Winnie’ with ‘Neil’ as in ‘Fred Neil’ a talented and incisive song writer whose work members of the band respected. Just exactly how, when and for what purpose this word came into being is lost to many questionable memories and Time, and various legends. (If you know any feel free to post them in the Comments)

And onto the song…

Lyrics
 
You and me, we keep walking around and we seeAll the bullshit around usYou try and keep your mind on whats going downCant help but see the rhinoceros* around us
 
Then you wonder what you can beAnd you do what you can to get far and highAnd you know I’m still gonna need you aroundAnd you know I’m still gonna need you around
 
You say it’s healing, but nobody’s feeling itSomebody’s dealing, somebody’s stealingAnd you say you don’t see and you don’tYou say you won’t know and you won’t, when it comes
 
Everything someday will be gone except silenceThe earth will be quiet againSeas from clouds will wash off the ashes of violenceLeft as the memory of menThere will be no survivors, my friend
 
Suddenly everyone will look surprisedStars spinning wheels in the skiesSun is scrambled in their eyesAnd circles like a vulture
 
Someone stood at the window and cried one tearI thought that would stop the war, but someone is killing meThats the last time I do think anymoreJelly and juice and bubbles, bubbles on the floor
 
Castles on cliffs vanishedJust like heaps of rubbishSeen from the stars hour upon hourAs splinters, dust, and black flowers**
 
From here to heaven is a scarDead center, deep as deathAll the idiots have leftThe idiots have left
 
Cows are almost cooingTurtle doves are mooingWhich is why a Pooh is poohingIn the sunSun
 
* references a play by Eugene Ionesco— https://en.wikipedia.org/wiki/Rhinoceros_(play)
** Could also be ‘powder’- Opinion is divided.
 
Mostly written by Balin the lyrics reflect the fear common in the 1950s and 60s of a Nuclear War. I would also suggest their is something of a sub-text of general disillusionment with the times Balin was living through, Flower Power and such was withering into frantic thrashing about for the ‘latest thing’, money grabbing and ego nurturing; an Old Story. Woodstock was a last gasp. This song was a reflection of the Times as they were. On YouTube you can find a couple of live version including a magnificent rooftop performance which predates the Beatles. For clarity’s sake of listening I include here the album version
 
 
 
 

Some of the songs from that time are stuck in their era, such as Country Joe & The Fish’s Feel-Like-I’m-Fixing-To Die-  that could only be 1960s  and about Vietnam – that aside we don’t give wars the lightly ironic treatment anymore. This song, dealing with a nightmare vision of what could happen and the hopelessness of being unable to stop it is transferable into other times and situations. Thus examining the lyrics and shifting the symbolism of the words or phrases you can adapt it to the political upheavals which are currently going on, and that feeling of helplessness at being unable to stop the tsunami of reactionary intolerance and mis-information crashing out of the media into your personal space. I cite the reference to Ionesco’s play based on his own experiences in his native Romania and the rise in the 1930s of the Right-Wing extremist Iron Guard. Does that parallel unsettle you in 2020s USA? I would suggest set against the back drop of a relentless signature Jefferson Airplane sound, and interlacing of solo and harmonies of Balin and Slick (two exceptional vocalists of that era) this song is a very powerful anthem of ‘Warning’.

Now there is the word I wanted to weave in ‘Warning’ and the power of songs to initiate a theme of the listener’s mood. There is quite a bit of gloom, despair and fatalism around these days, the forces of reaction and intolerance seeming rampant, and in addition there seems no way to truly halt the environmental damages  Warnings in themselves. One quality which a Warning has at its most basic level right across Nature is for the creature to react or be ready to react ‘Flight / Fight’. Placing this in the political equation of the USA you could understand some wishing to ‘up-sticks’ and move to another country (Warning folks: The pastures on the horizon may seem greener, but when you get up close, there’s hard-scrabble there too). The other reaction- Fight- being along the lines of ‘The Hell You Will!’ to whatever the threat might be. Warnings therefore carry their own potency and energy. You can thus use such a song to channel up your own angers, frustrations and fears into constructive ways to strive to halt that which you fear. Heck, as long as you don’t try and go commercial with it, you can even alter a word or a phrase here and there; that’s been a common evolution of many a folk song down the centuries, in recent centuries also alive and thriving in Blue and Country.

So you take a song, or a poem, or a speech and you work with it, to revitalise. ‘House At Pooneil Corners’ may not appeal to you (‘Sorry just not my scene / bag, man’-as we used to say back then), but the principal, I have to revert just one more time to 1960’s speak ‘You dig?’  

Revisit, Review, Revise. #Blog Battle : May –Extract

Foreword: In March there was this Blog Battle submission:

https://writingwritingandmorewritinginspiteofcomputers.home.blog/2023/03/14/the-day-when-the-stationery-was-no-longer-stationary

Which was left sort of hanging

This is subsequent episode

Archive

Custodian Zwanglos returning to that hill with its cave. It had been nice to meet with the villagers and the still spry Translator of the Word. Amongst all the goodwill and hospitality she felt a smidge guilty at having to deceive them that she was only here because she had to write an official history and needed to make sure she got her facts right.

Actually she was here because she was who she was and what had arisen when more agile minds had looked into, yet again the events around that hill. Presumably her then mentor Custodian Vernünftig had also issued his own commentary, though he was elsewhere, unable to attend.

She had enjoyed the interlude spent with Thaddeus Greylane, steward of the cave and exile from the time when The World had been embraced by The Ethereal. He had been affable, willing to assist and explain about most of the mysteries and artefacts within his collection of minutiae, all curios.

Not The Archive, behind the steel door.

She had been fayre certain Thaddeus had been able to open the door and his claimed failures were just Avoidance. She had had to be careful will him, he was a delicate bloom. She hoped wherever he was now he was being taken care of, tending his blue acorns into shoots.

Meanwhile her mentors and seniors had pondered over the Archive. They wanted to know what rested there. They wanted insight into WHY the Ethereal had come to The World.

And thus Zwanglos was despatched.

Armed with her wits, memories, controversial ownership of staff and actually Thaddeus’ keys.

And the nagging question. Why she was sent alone? Maybe there were grave concerns as to the risks and she was deemed expendable. Even so, there should have been a witness to report back.

She stopped near the cave edge, dropped to a crouch at the familiar rock, positioning her staff to the fore.

‘I can see you,’ she called out ‘You’re dark against the grey. Present yourself,’

‘Am I being addressed by Custodian Leidlich Zwanglos?’

‘Yer.’ Slipping back into her home accent on being caught off guard ‘So in the name of The Lawd Gawd, I repeat, present yourself,’

With great care a man in a dark green uniform, long coat and wide brimmed hat eased out.

‘LifeGuard?’ she questioned in surprise, standing up.

The fellow removed his hat and ran a hand through his hair, she respected his look of concern and not the normal austere superiority of that outfit.

‘Captain Ermitteln,’ he announced with civility ‘I have been waiting for you,’

‘You have?’ not sure whether to be irritated or intrigued.

‘Yes,’ he absently scratched his scalp ‘It is the opinion of my commanders you might need some help,’

‘Wiv’ wot?’ she drawled out, raising her staff.

‘The Archive,’ he replied in the way of a confession, and getting poked by the staff for his honesty.

‘Only fayre I give y’ warning. I got an affinity wiv’ this,’ at this the top glowed slightly ‘Tell me LifeGuard Hows and Whys,’

‘Now there’s the problem. I don’t get told that part. My orders were to meet with you, and assist as necessary,’

‘Now there’s ‘alf a ‘Why’, so I think there’s another bit,’ Zwanglos leaned in on the staff.

The captain seemed to be giving this serious thought, as The LifeGuard generally gave everything serious thought it was hard for her to figure out in what direction. She pressed a little harder.

‘It’s problematic to think with a glowing staff pressing on my chest,’

‘Oh fer frib’s sake. Don’t serve me slops dressed up as innocence. You have been sent wiv’ secret orders based on information obtained by shadiness, lurked in a cave for dunno how long, know too much about me, an’ you think I’ll dine on that?’

She nudged him again with the staff, blinked, twitched and stepped back.

‘Wait a mo’. You’re tellin’ the truth. Well as close as anyone can get to it. My staff never lets me down, particularly when the one at the other end is nervous,’

‘I understand it has the capacity to punch through walls,’

‘Alright then,’ she said withdrawing her symbol of authority ‘We have to get beyond a door I can’t open to look for an unknown volume and extract it,’

She kept unto herself the opinion that the fellow was using his justifiable anxiety to mask something he was keeping hid. The LifeGuard were not an organisation renowned for charity.

His face brightened and relaxed.

‘I think I can help with difficult doors. My experience is in The Ethereal,’

‘Should have said so,’ she replied ‘Follow me, and keep close. It’s singular place,’

Ermitteln focused on how the cave dimensions and trigonometry should be and  not what his senses were perceiving. A difficult exercise. Even with ten years of experience of dealing with the Ethereal, this location was proving a challenge. Eyes barely opened, he kept his attention on Zwanglos’ voice as anchor. From her narration he judged the place had been cleared all its contents, and there had been several rooms, suggesting the previous owner had seen the place as a civilised habitation. No sense of daemonics. The passage of Time was the problem, but this should be expected in a place which had either travelled through or existed in more than one temporal location. The Custodian appeared to be at one with here whether by nature, training or equipment, he did not have the luxury of opportunity to deduce.

‘And ‘ere we are,’

There was disgruntlement, obviously at the source of earlier frustrations. To accustom himself to any distortions he opened his eyes cautiously. With some relief he perceived the usual three dimensional arena with up and down in their correct places. Before him set into a cave wall was a steel door, a functional light grey, room enough for two to walk through. Zwanglos stood scowling at it. She abruptly handed him a long key of muted bronze, a rather ordinary object of triangular teeth, two deep lines each side. By its own light and that of her staff he crouched examining it, in particular dimensions and spacing of the teeth, peering at the miniscule, he discerned ingrained wirings at each edge.

‘Interesting’ he said quietly, causing Zwanglos to drop in his side, her scowl deepening, giving into a smidge of envy at his power of assessment ‘An original temporal pivot,’

‘A key that goes through time?’ she asked, relying on snippets of information she had gleaned on such objects.

‘Quite so,’ he replied turning to her with an expression of approval. ‘Tricky things. The Lifeguard still hasn’t discerned,’ a slight smile on his face ‘The Why. Only the How. Normally it’s supposed to be the other way around,’ he shrugged ‘Still when it comes to Temporal,’ leaving the words hanging. ‘I would suggest Master Thaddeus was given this in a hurry without any instructions. Confusion of the times,’

‘Openable then?’ she pressed ‘Because I can feel something twitching on the other side,’ she glanced up her staff, flickerings of red and blues in its otherwise pale light.

‘Two issues there Custodian. Firstly opening, possible. But more important. Are we ready from what’s on the other side?’

‘You worry your pretty brown haired head about the first,’ she twisted her staff in one hand ‘I’ll worry ‘bout the other,’

‘Novel Custodial response,’ he muttered.

Usually she relied on physical speed, intelligence and aggression; prayer normally reserved for quiet private moments. Waiting for the Captain and whatever passed for Time she did resort to some of the more reflective tenets of faith, sweating hands dampening the staff. The twitching beginning to come too close to sound for her liking. Patience though, let the Captain ease, twist that object through whatever places he reckoned there were. She couldn’t even make out a keyhole. She did realise he was about his own litany, although one of, mathematical formulas, numbers and results.

The lock gave way, the door opened inwards. Zwanglos levelled her staff, part potential weapon, part illumination. Ermitteln drew out a short device, likened to a dehorned crossbow, its inlaid gems winking, his finger near the trigger.

They looked down the narrow room, seeming of short distance; each side housing ten shelves of books to the height of a man. The size of the volumes making estimation of the total difficult. The pair did not move or speak, hesitant to step within.

‘There’s years of study and evaluation here,’ he said, without excitement.

‘You feel it too. Dontcha Captain? Not evil, not living. The Ethereal seeped in here into the books,’

‘Or the lettering was set to extract Ethereal, give the volumes extra potential. The LifeGuard has evidence it could be done,’

‘The detail does not make sense to me. The reasoning does, though. Might have those words could be used like weaponry, or pull folk in,’

‘Or. To act as a way to visualise the times. Probably hastily made, thus dangerous,’

‘It would pull folk out of their rational ways. As bad as the second-rate magics of these days,’

She raised her staff, the pale light turned blinding bright summer sun and a took on the form of a bolt, which she swayed back and forth across the room, causing shelves to collapse as flames danced then settled upon them and the volumes.

‘Oh scraith,’ he swore and pulled the door shut adding sharply ‘Get back,’

The surface glowed in with a dull red heat, something they both hoped was a mere explosion and not a being of rage thudded from the other side, causing a slight bulge. Above them, the ceiling of the cave, cracked, without thought they scrambled back as stone fell leaving no visible trace of the door.

Halfway to the cave entrance, crouching again, in moonlight. Drained, the two conversed.

‘Was that your original intention Custodian?’

‘Open options, Captain. Was yours to kill me?’

‘If necessary,’ she admired candour ‘The assessment being whatever was in The Archive should not be in the hands of The Ecclesiastes. The risk of a subsequent holy purge against all use of Ethereal, was too great. It is here now. We evolve,’

She spat distain under the guise of clearing out dust a faint smile in the moonlight.

‘Not at you or yours,’ Zwanglos said ‘At my brothers in, cloisters who would not have survived the exposure. In my year spent in this cave, I sensed….stuff,’ one hand in a slight gesture ‘Your generals and colonels can rest easy. Thanks for your assistance. We have extracted a cancer. Now slip away under dark unknown. I have verbal smoke to spread to keep the village safe,’

Zwanglos sat in the corner left of the door, driest part of the cell. Her interrogators and assessors untiring in pressing her to revisit her explanations. They would not accept the facts. They felt there was something else to extract from her. Before long she would start to make up things to put an end to this torment by tedium. She yearned for her mentor Vernünftig, he could have defended her. Why Not?

Again moonlight through the cell window, pooling on the floor within in hand’s touch, small comfort. This time a shadow passed across. A figure.

‘Captain Ermitteln?’

He knelt offering her a hand.

‘Time for a demonstration to our sometime allies Custodian. You are no use here. The LifeGuard have decided,’ his turn to smile,  ‘An Ethereal extraction,’

She bit down the emotion, raw weariness from the displeasure of those not content with her explanations, allied to those annoyed at another woman Custodian.

‘Where to? Why?’ she tried to keep the tenor of her voice steady. They had broken her staff before her as another torture.

‘Rest first. Then back to the cave,’

She rose, back stiff, grasping his hand. The question bursting out into voice

‘Why me?’

‘We found an image of you on the rubble before the door,’

One question followed another as they stepped into an ethereal passageway.

‘I am to extract the information?’

Something About Guns In The USA

Blood-On-Hands

‘Another day in The USA,’ or ‘Oh Not Again!’?

Sometimes the words won’t come out as a post in essay or prose commentary, sometimes the anger and the frustration takes another form. This is not the best poetry, I am not a poet or a lyric writer but the words insisted, for better or for worse this is how it is….

Screenshot (101)

Red warning content disclaimer tv show background design.

Some of the usual suspects


OK, I’ve said my piece. Take care my American Friends.  

I should point out the inspiration for this post would not have come without first reading Jill Dennison (aka Filosofa’s Word) fiery and appropriate post:

DAMMIT…DAMMIT…DAMMIT!!

DAMMIT … DAMMIT … DAMMIT!!!

Please visit.

Thank you.