Escape Velocity Has Been Achieved and Craft Holding (Another Chapter in a Very Irregular Series About One Person’s Approach to Writing)

A while back I took the step of announcing the start of a new writing project

On Outlining A New Writing Venture (A post with no reason other than I was having fun with it)

The exercise was conducted to make sure that having ‘gone public’ I had better well carry on with this venture, there having been numerous other attempts which had faded away. The announcement was a boost to ensure my momentum kept moving to escape velocity. This is problem A Panster will often encounter. The process of not working from a true outline, or several pages of notes, but instead relying on ‘something’ popping into the imagination, or being inspired by the last few hundred words while only having maybe the vaguest of ideas as to where ‘this’ is going. Such an outlook can lead to falling prey to Life’s Daily Distraction or an attack of the Existentialist ‘What Is The Point Of It All’, or worse ‘Oh Heck…I’ve done all this before with different names and locations‘   (More about that problem a little later on)

My dependable notion of ‘Never Waste A Good World Build’ once more came to my aid. The Narrative would be set in the world of my previous trilogy. The fact that I could not decide whether in the Past, Present or Future of the previous trilogy’s setting was at the onset of little consequence at least there was a backdrop. As the narrative progress ‘The Future’ seemed the most suitable, this was made easier by the fact that in this ‘world’ of mine, Time was a flexible quality anyway, and there was the good old dependable ‘Ethereal’ an elemental force which is all things to all folk but woe to those who took it for granted or tried to control or expunge it. In this environment Continuity was not really a problem; and as a bonus enabled me to possibly sneak in the spice of a Hidden or Forbidden History factor. I kept the same Empire, Religion and some of the more powerful agencies as this would be useful for later on as to who was keeping what History from who and naturally for some stalwart characters to uncover ‘Stuff’.   

Maybe it’s because of having strong stalwart women in my life; my wife of 51 years, two daughters, a granddaughter and daughter-in-law that I have always tended to place women at the forefront of my stories (also because it will annoy the heck out of those lesser males who object to strong women). Thus, as I started off, there were another three women being drawn into very unexpected situations, and meeting and bonding, even the rather same types as before; trouble? Not really; at the onset this suggested a link between the previous three books. Descendants? That might be stretching things a bit and requiring a lot of explanations out of character with the previous three central figures. No, what was required here was an element explored in the previous works- The Ethereal as a reactive force drawing certain types of folks together; this gave some of the more dogged lesser characters cause to explore into what was taking place and delve into that ‘Forbidden History’ and of course all reach different conclusions. That could be interesting, all manner of possibilities.

Now what was missing? Oh yes….

As usual I had forgotten a central plot. Yes, my BIG failing, getting so much wound up with the characters that their day to day events become the whole story, and whereas it is fun to write you can’t really expect folk to read an entire book’s worth, not in a fantasy background anyway.

Thus far though plenty of material to weave in….

1.One heir to a throne has to get married soon, two rival houses intending their daughters to be his bride. He is very agitated with the politics and takes a ‘gap’ to clear his head he goes out with a military border patrol; lots more politics there. Suddenly ambushed! Escapes! How will this work out? Will he survive and how will his character develop? (By the way there is an Ethereal link between him and the three central women characters- one that none of them really know about, him least of all. What kind of relationships?) 
2.Somewhere else in the empire a very determined fundamentalist branch of the state religion are working up to a crusade. One fellow in particular. Note, don’t make him a pantomime villain. Give his side of things. Also they HATE the Ethereal. And let us not forget that no group is free from the whimsy of factionalism.
3. Where most of the characters live. Lots of local politics between two princedoms and one independent Dukedom, the latter favoured by the Empire. Also folk lurking in the wings there either barely seen or only thus far mentioned in name.
4. Also there’s The Empire, well a writer can certainly work with An Empire’s shenanigans. 
5. AND – Of course The Ethereal and those forbidden / unknown histories.
6. AND EVEN MORESO – All the ‘stuff’ I mentioned above with the central characters.
7. Not to mention several lesser characters with promise to develop.  And a few loose threads that need tightening.
Also
8, 9 & 10 – As write I don’t know what they are, but they are bound to be lurking around somewhere.

Plenty to work with. In fact so much I detect another trilogy. Too much colour and potential to spoil with a planned layout. In real life Wars and Politics never go to plan. One theme I am using again, the three central characters being swept up in events. Like real Life.  

Also this is a first draft and a writer will know that’s a terrible version. There is plenty to be re-written, replaced, downright ditched. Onward- ever onward. To where I know not.

Gosh, this is fun….
Advice for Writers starting off and New Writers struggling……Keep all those scraps you have written or have buzzing around in your head, you never know when they will come in handy, get it down on paper or ‘doc’ and worry about the finer points later on. 

Incepto ne Desistam. A Pantser’s Motto?

Ok, I admit the title might be a bit of pretension, and no I am not classical trained. The snippet of Latin which translates as – ‘May I Not Shrink From My Purpose’ is simply a case of In Google I Trust. (And used in the hope that no Latin scholars will chance upon this and have grounds for pointing out my error in usage)  That said a Pantser should never shrink from appropriating stuff out of the Public Domain, short of blatant plagiarism that is, of course.

The reasons for aforementioned appropriation, its justification and then strident qualifier will come as no surprises to any Veteran and also Proud Panster. We who work with the barest of threads or the smidge-est of ideas for a plot, if we start with one at all, and thence aware of the perils of the journey which lies ahead proceed, boldly, carelessly, doggedly, anarchically, irreverently and other associated adverbalies all the while intent on reaching a conclusion.

Well we will have an idea of what we are going to write about. Some sort of reason or imagery. Maybe even the ending, or what we might think will be the ending, This faint image will fade like mists in sunny Spring Morn’s under a growing glare of circumstances.

At some stage you hope Characters will start tell you the way you are going about the business is simply not going to work and you should listen to them. However herein does lie one of the issues a Pantser might well have to confront on a regular or in extreme cases a daily basis, being The Characters insisting they known best. ‘Here’s what is going to happen, now you just be a good little wordsmith and write a few hundred words on the scene or plot twist. No, we’re not going to tell you how, that’s your job,’ At this stage you zone out to your family, friends and maybe some of your allotted time at the job you would rather not be doing while you wander the foggy lands of your imagination and writing skills trying to find a way through. 

Whereas I personally grimly indulge in taking up the challenge, it is understood this can be unnerving for someone relatively new to the process. Having a character mentally nudge you just before you drift off in nightly slumbers, or wake you up at some variable time, then leave you wondering ‘What?’ and resisting the urge to slither out of bed to sit vacantly at a laptop or blank paper is not really conducive to the creative process. I wonder if this is the true reason behind the sudden demise of a few major characters part way through some novels.

With all of this in mind here is something of an account which as is my custom is an intention either to be a warning or an ‘Ah. Not just me then,’ to any readers who are also embarking or struggling with a project.

Back in 2021 my previous trilogy came to a conclusion, and of course my creative side was wondering where to go next. Firstly there was a thought ‘Well you could do a follow up….Like twenty years on?’. I pitched an opening draft (or three) to the central characters of the previous work. They weren’t very enthusiastic. ‘It’s not just that we are happy with retirement Rog’. To be brutal we can tell your heart and imaginative whizz-bang is not in this’ Trelli being the most level-headed of the three as always is very forth-right while usually being polite.

Thus I examined various formats in the Fantasy  / Sci-Fi genres and relevant possible plot lines ranging from the irreverently comic to the lightly serious. The Fantasy outlines were all rooted in the world of the Trilogy (Never waste a good World Build ), Past, Present of Future but I could not get Characters who were interested in the plot lines. Some were dissatisfied that I was not going with a true Rom-Com while others were more intent on turning entire chapters into Shakespearean soliloquies or 19th Century Russian novel reflection on Life. Also the more action inclined folk were complaining about hanging around having a couple of paragraphs of sword waving while waiting for the possible true battles somewhere ‘up the road’. And none of the aforementioned sides were happy with the time given over to those who indulged in lecturing on geo-political realism. 

There was an interlude when basing the tales in a Sci-Fi setting showed promise. I am fascinated in the Quantum Mechanics concept of the 11 dimensions in String Theory, and wondered about with this as the basis for practical interstellar travel in days thus getting around that faster than light ‘thing’ . You travelled through the 11 dimensions. Great idea? Well in my excitement I missed the obvious 12th Dimension – A Creditable Plot, all I had were folk aimlessly mooching about a empire wide set up doing quirky things. Anyway the true Quantum Mechanics theories were nothing like what I had in mind. The format might have been Pantsing but not really rewarding Pantsing. More like a TV ‘Soap into ‘that’ season when the audience knows the writers have run out of quality ideas. 

And yet still, there was the persistence to write another work or series of works. True to Panster’s code, having no plot and no characters would be poor excuses for not writing. What was required was some need to kick-start. This arose in a naturally sideways manner from the need to use my Netflix subscription and thus by chance watching two series of animated story lines based on computer games. The fine level character development and attention to plots held me to repeat viewings. Happily nothing has been appropriated from these but the experiences did stir me into thinking up all sorts of combinations of people, places and events, based in my precious world-build. Encouraged somewhat by something which might ‘develop’ I then indulged in one of my naughtier ploys as used in Writing Prompt challenges. This was to listen to audio book versions of respected and revered works of Fantasy Fiction and intersperse the narrative with my own irreverent observations or additions to put me into my writing mood, Yes, I know it’s not dignified or mature but Pantsers reserve the right to utilise the ‘Works for Me’ approach.   

Thus the project commenced with a few characters who had been hanging around for a while but never cared much for the scripts given to them. This time satisfied with the initial scenarios and basic directions they set to work content to veer off script as they saw fit. The modest hub-bub attracted other folk who had previously told me ‘They’d let me know’ and gradually one of those communities of characters essential to the tradition of Heroic Fantasy began to accumulate. At this stage there was the general debate about which way the plot and sub-plots might develop, fortunately there was an agreement that there would have to be one central theme with room for differing narratives to work through. Everyone was of the belief that if it was going to be Heroic there would have to be some sort of conflict. Adoption of the nascent natural element The Ethereal was enthusiastically approved of as its evasive nature allowed for all sorts of liberties to be taken with Time, Place and Rationale, strict adherence to Continuity being a bit of a trial. 

As the work reached the 10,000th word passage I felt sufficiently confident enough to release a public notification this launch might have potential.

On Outlining A New Writing Venture (A post with no reason other than I was having fun with it) 

This bold step taken there was no option but to continue.

Now I have passed the 20,000 word stage. Characters are settling into their roles, back stories are starting to form and I have the outline of a plot, of course this will not survive contact with the main characters and the support characters more than capable of effecting a change. Whether the Whole evolve into more than one volume is something which is quite beyond current forecasting. All that truly matters is ‘It’s On Its Way’

What more could a Pantser ask for?

On Outlining A New Writing Venture (A post with no reason other than I was having fun with it)

Sailing ShipOnwards, ever onwards (actually this sailing scene has nothing to do with the plot, but is a great allegorical device)

‘Tis said one picture is worth a thousand words. Thus in committing myself to this venture here is the outline of a basis for a story line…. with pictorial aids:

Set in the north central lands of the Oakhostian Empire:Confusing map That’s a Fantasy World Build Map???…Seriously???…….Yeah, looks like someone spilt coffee over a pizza with toppings.

In the small dukedom of independent Westerlythane, Grand Duke Alveraine’s youngest and studious daughter Lady Loryhana

Young Woman writing has been charged by her father to categorise and collect where necessary the affects of the recently deceased solitary, mysterious fellow Master Morovach,

Mysterious also known as The Great Exile and long had been given sanctuary in Westerlythane
This she dutifully accomplishes, while taking into her private possession a set of somewhat old and captivating tomes….
picture_mix04514

Meanwhile to the south in the Princedom of Olfreg (working title) handsome, genial heir to the land
Merklin Silc screenshot Frendlehanz must by tradition and princedom’s law marry before his 27th birthday. Rival ducal houses of the princedom are vying for him to chose one of their daughter.  With one and a half years to go for all sorts of complex reasons he must either chose between…
Alluring, vivacious and ambitious

Alluring  Lady Sielimdea of Ducal House Helbruchs

Or winsome, child of nature

Child of NatureAuroreya of the House Veredales

Even though he has dallied with both he is not very enthusiastic about sharing a life with either. Flustered by the whole thing, he resolves to clear his head by meeting up with austere military minded Lord Vulstrum
Untitled design - 1Who doesn’t actually know Frendlehanz, socially that is, and with no real idea what the heck the heir to the princely throne wants visiting up in his father’s small bleak dukedom.

Meanwhile…

In the rugged land of Thanbarch, north of Westerlythane and perennial foes of Olfreg,    Jerial Jerial daughter of ClanLord Crinach has been exiled in a benevolent sort of way to outpost duty as she caused a battlefield problem by acting as if she was a Captain and not deferring to her brother. Where she has been posted unbeknown to her or her family is a place of the Elemental Ethereal:

Ethereal

All these seemingly unconnected events have come to the attention of several folk or parties. Initially one investigator into and then purveyor of information concerning The Ethereal… Master Presvell

Presvell

Aided by his loyal servant Gealeva of alley and gutter heritage

Gealeava 6

Who together set out on a journey to the various lands wherein reside the previously mentioned characters.

On their trail and that of the Ethereal Manifestation is one doughty foe of evil,  the more dangerous heresies and also reviled by most of his brethren- Custodian Laverlake

Laverlake 2

In their wake will come various really unpleasant folk, twisted custodians, professional thieves, ruthless nobles and other unsavoury folk

Everyone of the above are or will come under the eye of the Empire’s State Within a State – The LifeGuard.

LifeGuard - 1

I can’t really say how many of these will be principals,  or those who will just have walk on parts or simply be set up for something to happen to them. There will of course be some hideous creatures and maybe one or a few unhinged dabblers in forbidden knowledge. Their appearances will depend upon the plot which as yet remains unfix’d and as usual in my experience will take form at the behest or whim of those characters who have an interest in influencing the writer.

Whether there will be more than one volume is something I would not, at this stage, possibly comment on.

But I have gone public on this particular start up (17th for the record), so I shall have to stick with it won’t I?

Writers: On The Risk of, Maybe Packing Too Much Into A Project

After the sixteenth (or was it the seventeenth?) attempt at launching a new project there was a great temptation to indulge in the traditional Indy / Indie writer’s angst of episodic lamentations and cries of ‘ What is the point of it all’ and thence gloomy introspection.

Hamlet 1

However, it is also the curse / blessing within the Indy / Indie writer to be a’fix(ed) with the urge and need to keep on writing, and seek ever beyond the horizon fulfilment of that next, and in my case evasive big project. There’s six of the efforts marking up to roughly 100,000 words which are still archived in case there’s a need to ‘Copy & Paste’ useful chunks. And there is a new one which is tottering on the launch pad. You would think that with a pretty strong World Build there would be no shortage of material, inspiration and plot lines, so how come just ‘Might Have Beens’?

win_20210522_11_00_43_pro…Ponder….ponder…..ponder

On referring back to the previous trilogy….

It occurred to me amongst the total of 660,000 + words, aside from the traditional World Build, adventurous quests or tasks, conflicts and challenges set to three strong characters, the array of minor and not so minor characters with their own tales to tell there were a great deal of other themes and sub-plots which had found their ways in. Out of this grew the comic interludes, satires on common themes in fantasy novels, whole commentaries on various cultures and locations, parodies on traditional villain types, parallel realities, romances, personal sacrifices, allegories with various historical military blunders, the construction of an imperial administration and its agencies, threads which went in various directions and managed to tie up, entire family lives, one rather massive risk of a plot twist and a small tough ragged horse which travelled through realities without any explanation given. Along with some other stuff to do with lesser characters just put in because I felt like it suited the whole canvas, like my predilection to weave in John LeCarre style machinations of various government agencies simply for atmosphere.    

 And dear reader one has to ask ones’ self as you might. Was all of that necessary? In my defence, at the time it seemed so. When reading / listening to my favourite subject of military history as must be the case with other historical studies, there is encountered the factor of the importance of the small folk, not the Great and Influential, for without the small folk what would the Great and Influential achieve? Then there is the ‘Grit In The Machine’ factor which in the way of many a Grand Strategy, the overlooked seemingly inconsequential yet important item, the events of the second book hinged on such a quantity. These had, I reckoned, to be taken into account. And also how the events affected folks’ lives, motivations and own plans. Of course all and everything was necessary and fitted.

The problem with ‘Of Course’s being one might fit one type of book, ie factual history but might not work in a fictional setting, and that most important of persons, the reader could lose interest and particularly in Heroic Fantasy be looking for more dramatic interludes linking into one magnificent conclusion. Maybe.

I could of course cite the works of David Gemmel who would take minor and sometimes grimy characters and through the narrative elevate them, often against their will to major players. Brandon Sanderson and Joe Abercrombie are of the type of writer who populate their books with large lists of lesser characters who come and go through the narrative, sometimes returning when you least expect them and playing for maybe only a short while a vital role. They, Abercrombie in particular do not go in for Happy or Cleanly Ethical endings, which can be argued are most realistic. Me, I do veer towards clean, just and tidy endings, and the intention to do so without a Deux Machina (or several) might, just might have had an effect upon the whole narrative, for whereas I only had the haziest of ideas about the rest of the narrative that sort of ending  was a given. 

I could stand by all those decisions and maintain them by the dogged outlook beloved of a more stubborn sort of Indy / Indie writer summed up as ‘So what? If you don’t like It…Tough. It’s My Book’ . Somehow that might be avoiding the issue.

Is the reason why a new project is not taking off, because I have used up all my good ideas, scenarios, situations, themes and sub-plots? And will anything else be just repetition? There is an ‘Of Course’ there too. Since my work to date has had little to no success and in consequence a double edged truth would be; ‘Who would notice? Or care?’ . Now where that ties in with or contradicts the previous ‘So what? If you don’t like It…Tough. It’s My Book’ is another topic for debate. 

Thus having paused to muse over the whole business while doing my turn at the washing up and washing loading duties, I was left to conclude…… Was I taking ‘pantsing’ too far? Should I have laid out all of the ideas which came to mind and put some to one side for another day? Should I have edited the books into shorter volumes and instead of three weighty tomes have had six, or seven, or eight smaller volumes and attracted an audience who prefer shorter books with cliff-hangers? Did I cram far too much in. Truth be known from time to time the thought of dismantling all three, starting from scratch and taking that approach has occured….But…Ah me, the effort, seemed too much were I say thirty years younger…..

My advice then for anyone starting out, is by all means dive in and rattle away, letting your ideas flow like rivers, and the first drafts (there are always several) be a hodge-podges of all sorts of stuff, but then maybe step back and consider whether there is more than one book there, or maybe there should be more than one book there, which in turn will lead to more books.   

Maybe it is the genre…Fantasy…. Maybe we all would like to be a Tolkien and feel we have out own private Lord of The Rings simmering away. Maybe we should not give way to that lure. I can’t comment on Martin’s Ice and Fire series, they never appealed to me, but I would guess the same sort of conclusion would apply.

Anyway, the muses are tugging, the collection of characters might well have the inclination to nag at me to get going and shove a whole lot of their own ideas onto my table. Who knows, maybe this time I will get past the 75,000 word barrier and start to really once more have fun writing, and perhaps a bit of restraint?

Who can tell what lies beyond the next paragraph? 

Well, It Seemed Perfect #Blog Battle : April – Messy

Messy

King Prendertugh was a person of thorough approach strengthened by a gift of ‘The Long View’, (in political terms that is. Not as with his worthless brother Frenderbugh who yearned to be able to see maidens bathing).  Prendertugh had discerned long ago that his kingdom of Freyback would have to go to war with neighbouring Kcabyerf over the lordship of Vendregan, whose family The Burdeph knew they had little say in the matter and thus lived up in the Olps; the tallest mountain range in their realm.
It was a recognised fact that a successful campaign would rely not just on weaponry and killing people, but to have a most intricate set of code; for it was another recognised fact that King Dehigget of Kcabyerf, a most wary fellow had nurtured a body of highly skilled code-breakers.

Prendertugh however had invested six years in having exceptionally gifted and intelligent folk devising the series of codes to be used by his army, spies, and disruptors . The code was based on a now unused language spoken by folk from who had dwelt in what had once been fens, but had been long ago drained, so had the folk. The process took three years, another two years were spent training code couriers who could write and translate the messages and one explaining to all receiving the messages that theirs was but part of an overall plan which would come together and all would be well.

In the initial and carefully stages invasion of Vendregan and the disruption of bordering areas of Kcabyerf went well. Dehigget’s forces were confused, surprised and required to retreat; aside from being out-manoeuvred there were problems with their supplies, horses were cut loose from stabling, and river shipping developed holes and sank and people were mumbling dissatisfaction, although no one knew how or where the mumbling began.

Into the twentieth day, the time came for those always necessary adjustments; revised coded orders were despatched. Grand Duke Hurstew on the left and High Lord Fiztmarice on the right acted accordingly. Grand Earl Hangus in the centre and overall command moved forward, then wondered just where Hurstew and Fiztmarice had got to. He being a man of solid judgement halted until matters were sorted out. King Prendertugh being party to the big picture and having heard from his spies Kcabyerfish forces were in disarray had based the new orders on those reports. He now wanted to know why Hurstew was marching north away from the advance, Fiztmarice was sitting down doing nothing, and Hangus marching forward without support.

A number of bold riders had ridden hard and fast this way and that to the said generals, then had ridden boldly hard and fast back, it seemed there had been some confusion in the orders, but no one could discern where the errors had taken place. Fresh coded orders were issued.

Hangus promptly marched north; Hurstew reversed his march and went south, while Fiztmarice proceeded in oblique order to the south-east, then north-west.  Dehigget  meanwhile having been told the codes out of Freyback could not be broken decided that ‘They were up to something’ and his generals agreed. His armies were collected and reorganised then sent on counter-marches to shadow the foe. For those of a more humanist point of view there was the benefit of no one really fighting and thus getting killed. For those who lived in the area there was the wretched experience of armies marching back and forth across your land, wrecking your hard worked for crops and not paying for anything they appropriated; the same thing happened if the armies stood still. It was a miserable time for the Vendreganish and a great deal of sourness was directed at the The Burdeph secure in their mountain fastness of The Olps.

Meanwhile Prendertugh was vexed and puzzled about the failure of his forces to coordinate. Had not the orders been clear? Had they not been efficiently transcribed into code by highly trained men? Being a king, he naturally fell to suspicion and introspection.

Even more meanwhile his fellow king Dehigget indulged likewise. His being focused on why his personnel could not tell him what cunning plans Prendertugh’s generals were up to. And due to the mumbling he suspected a plot against him.

Both men demanded answers, gruffly and loudly. Naturally blame and accusation was parcelled out amongst most in the two courts and high offices. Generals sharing with their troops the sludging due to a sudden very unseasonable wetness of weather received with very ill-temper indeed the uncoded and hastily drafted letters inferring they were deliberately avoiding battle. Both kings therefore received tersely uncoded response that IF their majesty REQUIRED, then they (whoever sent it) would resign their position.

Thus frantic orders from King Prendertugh’s court  with lesser attention to codes were sent in every direction. Generals finding some of the commentaries were less than succinct in their clarity, ignored them and put junior officers to pray to the ancient god Varius Xcusis and then send replies saying they couldn’t comply with those orders. Dehigget went in for replacing generals with old rivals of theirs, some duels were fought. There was a purge of code breakers too.

More eventous Meanwhiles were taking place in the covert ranks of the Freybackian spies and the disruptors. The former being consummate professional paranoiacs suspected the code had been breeched, burnt all their documents and went into hiding to reinvent their identities. The latter were by nature unconventional and free thinking and centrally co-ordinated within Dehigget’s realm. Mayrus Hekth the leader, had received the following message, which when decoded read:

Buy up all the cheeses. Take care, for I yearn for your underwear

He consulted his two code couriers who concluded as one.
‘Something has gone wrong with the codes. Toldja they were too complex’

Hekth being an inventive fellow at once used the message as a basis for inspiration to add to the acts his teams had been up to. In this case he told all operatives to disguise themselves an officials of Nobility and with much arrogance buy up all the cheeses citing the nobility’s desire was more important than that of the peasants, others were set the task of writing on walls and gates ‘King Dehigget yearns for your daughters’ underwear’ . Whereas the latter initially caused much puzzlement and bemusement, the former did have the desired effect of civic discord, and confusion in the ranks of the nobility as vast numbers of cheeses turned up at their abodes, followed by greater numbers of peasants and folk who needed cheese for their own businesses, all inflamed by Hekth’s agents. Dehigget was somewhat distracted by incoming quantities of female underwear sent by the more obsequious and opportunistic of his subjects, whose daughters were not pleased. Neither was Dehigget’s wife. Hekth not one to rest of his successes then spread the rumour that eating excesses of cheese caused heads to fall off. Some of the nobility were found with heads detached, it did not take much examination to reveal decapitation was probably the cause, but the underlying tone of the message  got through and many cheeses were seen rolling out of castles, an act which did nothing to improve the flavours much less the image or the lower classes attitude to the nobility.

Under other circumstances Prendertugh might have taken advantage, had he not by a combination of confusion over the codes and sullenness on the behalf his generals   effectively lost his armies in Vendregan. For someone usually of thorough approach strengthened by a gift of ‘The Long View’, it was indeed a curious state of affairs.

With both kingdoms in a state of administrative and strategic immobility while suffering from wet muddy weather and a severe outbreak of Meanwhiles, adding to the situation was an unforeseen At This Juncture. These of course having much potential to make a troublesome situation worse.

In this case The Juncture revolved around  Rayleot the scion of The Burdephs of Vendregan. A year earlier he had been despatched south to locate and court a suitable bride whose noble family would give The Burdephs some leverage in keeping Freyback and Kcabyerf off of their backs. Rayleot was not long in discerning that most of the young women suitable to his rank were already involved in complex marriage arrangements. Instead he set his sights on the naturally financially orientated mercantile classes. Mindful of the geography of his homeland his attention fell upon Trevella the elder daughter of the Bungdover family whose river transport enterprises had blossomed. For them someone whose family owned land through which the great and wide River Flume, had its origins was quite the catch. Trevella saw no problem with Rayleot, and as was the custom thereabouts the marriage was conducted promptly upon a river, Rayleot signing all sort of treaties and agreement which he reckoned were a better option than having two armies tramping upon Vendregan. As a wedding present he was gifted a replica of the legendary Large Barge Marge, the original and foundation of the Bungdover family now being retired and sanctified. There were certain enhancements in keeping with those times, such as secret independent power source of propulsion and several small but effective pieces of ordinance.

The happy couple’s appearance not only caused surprise but also distress to craft of both Freyback and Kcabyerf  which were gently disabled either by blasting off masts or rudders, and pushed by the now named Rarge onto banks, thus displaying the astute mercantile strategy of not blocking rivers. Taking advantage of all local intelligence and armed with large bags of gold supplied by his in-laws Rayleot contacted the most disgruntled officers of both sides and offered them employment in the new Vendregan army whose initial duties involved simply changing sides and taking directions to higher drier ground.

Hekth and Freyback spies met and sent a message unto their king, uncoded in basic Freybackian of the lower classes:

‘You’re kippered Guv’nor, It’s all gone in stable buckets. The Burdephs have got a sharp one who is quick about coin. Suggest a bit of the old selective Horse and Carriage,’  

Kings could be expectant of rebellions but Prendertugh was beset by tremendous sulks amongst his lords, generals and senior staff. He was somewhat overwhelmed by the ludicrousness of mature men imitating the actions of adolescent told to clean their rooms, he took the curiously phrased advice. Back to the Meanwhile he mused…What the Holy Frib had gone wrong?

The aforementioned cabal also reached out to those opposite numbers in Kcabyerf by devious means to indicate they contact their king in similar fashion, if he wanted to keep his cheese (code for throne) and sell off the underwear that is. The opposite numbers did so. Dehigget beset of domestic trials and tribulations agreed.

Within the year, and drier spell all had settled down both kings having to lay out large amounts of gold to soothe the temperaments of upsets generals, though later  this was somewhat recompensed by trade choregraphed by the Bungdover mercantile cartels.

Since no one could figure out how the errors had arisen the codes were scrapped. The strategy of ‘Let’s say no more about it’ being adopted. Prendertugh turned his attentions to his gardens and extoling the virtues of The Simple Life

Dehigget worn down by cries of ‘How’s your cheeses?’ and the more independent commoner maidens waving very functional woollen undergarments at him calling ‘Does this meet with your approval Your ‘Ighness?’  became a recluse and responded to any enquiry by his ministers with ‘Whatever,’

Eventually both kingdoms swore fealty to Vendregan under the rule of King Rayleot (The Calm)

Historical Footnote:

Some centuries ago….

It was mournful time as The Folk of The Fens were obliged to quit their lands, now being heartlessly dried up by greedy folk with big armies. The elders had embarked on writing down an account of their folk and these events to be kept in all time, for the day when their folk would arise once more and learn of their ancestors.

Those elders versed in the Ethereal built in one sting for the future. At the beginning of the tract was inscribed in subtle runes masking as letters. ‘Woe and Confusion upon those who pillage our language as they have pillaged our lands’ 

Firstly A Cautionary Dry Heading – ‘This Narrative Might Be Developing’. (Another Episode In The Life of a Writer of Fantasy Fiction)

Uplifting

Forewyrd  : This is one of those posts which new writers might be able to take ‘something’ from: either take heart or ‘Gosh I must not do that or something in between the two. It is also one that writers of some experience but little practical evidence of Reader Enthusiasm can ponder over and experience an  ‘Ah. Not Just Me Then’ interlude That said, there is an element of optimism,    enthusiastic 2

which is vital to an new writer or the dogged Indy adherent.

OK. Brutal Reality first. Harsh Facts. Simple report. No ‘Oh woe is me. Alas Alack’. Just events. Those of  who having following my blog for a while will know for a few years I worked on a Fantasy Trilogy.

It seemed reasonable. It was ‘Kindled’,  subjected to edits and a couple of those free promotions. Yet, as is the common danger of any indy-writer who takes the self-publishing path. Overall response. Minimal. I take responsibility for less than proper marketing and networking. A parody advertising type series of blogs was great fun, maybe too much and was a distraction. Much thanks to those who supported me.

Still. No matter how much of a realist you might be, you still kinda, sorta,….Hope.

Annnyyyyyyyyy-way!!

While waiting for some kind of indication there might be a wider interest in these works I naturally put my mind to new projects.

A lot of writers will know how it goes. No matter what, you still cannot help but give into the whisperings of whatever Muse of writing calls. Sometimes they are not gentle; whisperings as a sharp tug on the ear ‘ole and a harsh ‘Are you going to sit there just dithering about web surfing or just footling about with ‘Stuff,’ Write, write.

Those Muses would not leave me be, be they

Calliope Calliope (epic poetry fantasy)

ThaliaThalia (comedy- displaying something of the understated approach here)

Melpomene Melpomene (Tragedy – another fine example of understatement)

(Actually it can be a real nuisance with those three all elbowing their way into a narrative. Particularly with Thalia and Melpomene ganging up and insisting you must have both elements to reflect a real narrative, then arguing who gets the bigger cut. All the while Calliope being of the Epic outlook is encouraging you to not use a sentence when a paragraph looks so much better.)

And supportin the call there was my own adage ‘Never Waste a Good World-Build,’ (Professionals and successful Indy Writers don’t!- so there!). My first mistake (which was naturally repeated) was to try and carry on from my trilogy or adapt into novel form a series of comically quirky parodies of the the fairy-tale style posts back in very early 2020, which ended just before Covid hit. The reason why the first didn’t work was probably because I had crammed all my good ideas on that narrative into the trilogy, and truth be known didn’t have much else to write, not without repeating myself. Brandon Sanderson or Joe Abercrombie I an’t. The reason why the second didn’t work was because you don’t easily turn quirky posts into solid books, the narrative collapses quite early on and the characters wandering about looking for funny things to do. A lesson learned.

Another lesson learned was. ‘Don’t footle around with other genres’. I did invest some time in an SF project in which the interstellar travel problem had been solved by an quantum approach using the theoretical ten / eleven dimension approach. It didn’t take, firstly because my science wasn’t all that deep and more importantly the characters simply were not enthusiastic about the project and didn’t seem to have much idea what they wanted to do after the first couple of chapters and there was more wandering about only in this case folk talking to each other.

Going through a period of ‘Not Bothering’ was a bad move. The Muses and the Characters from my previous trilogy descended on me. They nagged, cajoled, and even threatened, the latter in an existentialist sort of way.

It was obvious there would be no peace until another epic was undertaken.

On a sober note. I had been spend a great deal of time on the political side of my writing, and essentially looking for trouble from those I wanted to offend, but since I was not diving into FaceBook that didn’t happen. Which was just as well, a swim in that pool looking for targets can leave you as polluted as them; there’s no glory there. Put the hound back in the kennel. Far better to use the time to support those on WP whose views I agree with.

Thus being directed to get moving, I sat, mused, paced, pondered, ran through several possibilities, muttered a lot and ended up back with that parodies of the the fairy-tale style posts

Aureyborealice, A Fable in Several Parts…Part I

(Actually I – XIII)

Ah well, says I, let us not waste the bits and pieces of what might be a workable plot, because everything else is going nowhere.

The approach was to take all of the characters, in roughly the same locations, and work from the general premise of arranged marriages, particular gifts or powers and plans not going according to plan. Since a World Build was not to be wasted, I used roughly the same geographical setting and environment, but set a bit in The Past, before the empire of the other books. Opportunities for origins of various agencies from said books peeked over the horizon. As this is a Fantasy, which might be set in a far future of our own world, I didn’t have to worry too much about those problems which writers of fiction in history have to deal with, ensuring the mindset and day to day items belong to the era the book is set in. I could fool around as much as I liked, particularly as the plot in true Pantser style would develop as the narrative progressed.  All this process may be dreadful heresy to some anyway, but since there is an urge to write this and since the likelihood of many folk reading it could be low, so what? Not a jot care I, just so long that at the end of the day the whole thing hangs together and I enjoy what I am doing.

(Pause for Back-Story: I originally started this post back in late October 2023; image and opening paragraph only. Then held off, lest the narrative of the project went like the others; stale and faded. It’s quite embarrassing to announce to a readership all ‘Gee-Whiz. This is Flying’  enthusiastic 3  Only to end up a month later bereft of enthusiasm and material, like this ….

Hamlet 1  with not even a decent soliloquy lamenting on the capriciousness of The Muses)

So I carried on with the narrative, visited the post with a passage here, a passage there, and having found there was the urge to rattle off 400 words in one session, something only in recent past enjoyed in Gary’s BlogBattle –  https://bbprompt.com/    thanks mate!

Finally to be cosmological in the allegory it appears, the various dust particles of themes and scenarios are beginning to coalesce. There is an idea of where this all might go, the protagonists are stepping out of the murk and best of all the characters are starting to argue with me, talk about sub-texts, and even the villains normally created simply to take a fall are making guarded suggestions on character development. At the last general meeting with the ever growing but enthusiastic cast it was by consensus admitted that none of us had a clue exactly how it was all going to end up, but we were agreed that (A) There could be another trilogy in the making (B) It was going to be a lot of fun.

Of course this is the first draft; which is going to be a mess and will need to be revised, rationalised and resolved, for all pantsers have to accept that they will encounter several, if not dozens of ‘What Was I Thinking About, If At All. When I Wrote That!’  interludes, and that as much fun as they may have sounded at the time will simply have to go.

And thus to the keyboard I return, with a vague idea of just what will arise out of the next clutch of thoughts and notions. The only certainties will be whereas the going might be tough and there might be tragedies there will be no grimdark and the the endings will be upbeat. This is why I write; there is enough misery, injustice and evil prevailing in the real world, I am not going to add any more with my fiction.

There might be up-dates on the progress, or simple commentaries and observations on The Writing Process, or maybe just some announcement at another venture in the Kindle-verse.

Anyway:

Onwards:

Sailing Ship